Fear Factory "Transgression (CD+DVD, USA, Roadrunner Records, RR 8131-8)"

Transgression is the sixth studio album by American heavy metal band Fear Factory. It was released on August 22, 2005 through Calvin Records. Guest appearances include Billy Gould, the bassist of Faith No More, and Lamb of God guitarist Mark Morton, who co-wrote the song "New Promise". The album was released as an enhanced CD with access to the exclusive Fear Factory website. It was also released as an enhanced DualDisc with the DVD side featuring the whole album in (48,000 kHz), music videos and "The Making of Transgression" video. One could also retrieve another bonus track, entitled "My Grave", by putting the CD into the computer and clicking the 'Music' section at the special website.

It is the last album to feature original drummer Raymond Herrera and bassist/guitarist Christian Olde Wolbers who would leave Fear Factory in late 2008 after Dino Cazares's return to the band. Transgression was the first CD Fear Factory recorded since Soul of a New Machine without Rhys Fulber's input. "Moment of Impact" had a music video which found moderate airplay. The song "Transgression" was used in a scene from the 2007 thriller film Mr. Brooks. This is the first Fear Factory album to include guitar solos, with the songs "Echo of my Scream" and "New Promise" featuring one each.

The album was met with mixed to negative reviews from both critics and fans. Many have cited the downpoint of the album being the poor production and in contrast to the band's previous albums. Additionally, while other albums had a more clean and industrial styled sound, Transgression has a more raw and less polished production style with most of the industrial elements being less prominent in the albums mix or removed completely. Guitar player Christian Olde Wolbers has stated that it was hard to have a producer do everything, where usually they are more involved with the people that they work with. Because of this the album has a different mix, a different sound to it than the previous ones. He described this album as "half way finished" and also said that he had to walk out of the studio because he wasn't happy with his guitar sound.

Wolbers stated that the band was disappointed with the album due to its hurried finish due to demands from the band's label. This also accounts for the cover songs. Had the band had more time to finish the record, more tracks would have been included, and the album overall would have sounded better. 18 songs were recorded during the Transgression sessions, with five that have yet to be released. Two of them are "Ammunition" and a cover of Godflesh's "Anthem".

In 2013 Christian Olde Wolbers via his Facebook page revealed more details regarding writing\recording Transgression and Archetype:

“ We had some really heavy shit on transgression that never made it too the album because Burt didn't wanna sing on fast blast beat songs. We had over 20 songs. Burt picked the songs he wanted to write too. I helped create and helped write at least 60% of the vocal hooks and melodies on Archetype. I held his hand during the writing and demo process. I wrote the verse in "Cyberwaste", chorus melodies in archetype, etc... Only "Bonescraper" was done on the spot in the studio. On "Transgression" I wasn't allowed to interfere with Burt's writing process. It was Burt and Toby. When I heard the first takes I cringed and thought it was demo stage to still find the melodies etc. They told me it was a done deal and to stay out of it. Transgression, I am NOT proud of at all. It's crap. I produced Archetype. Burt produced "Transgression" with Toby Wright. That is the truth. "

In 2016, Metal Hammer named Transgression as Fear Factory's worst album.

Tracklist:

Disc 1 (CD)

1. 540,000° Fahrenheit 04:28 
2. Transgression 04:50 
3. Spinal Compression 04:12 
4. Contagion 04:38
5. Empty Vision 04:54 
6. Echo of My Scream 06:58 
7. Supernova 04:32
8. New Promise 05:14 
9. I Will Follow (U2 cover) 03:42 
10. Millennium (Killing Joke cover) 05:25
11. Moment of Impact 04:01 

Time:  52:54

Disc 2 (DVD)

1. The Whole Album in Enhanced Audio
2. Music Videos for "Transgression", "Spinal Compression" and "Moment of Impact"
3. The Making of "Transgression"

The title "540,000 Degrees Fahrenheit" refers to the heat in the middle of a Thermonuclear weapon explosion. The lyrics go into detail about the destruction wrought upon the body brought about by such an explosion, with the chorus lamenting the potential loss of life that may be caused by one of these devices if it was ever to be used. The title is actually a conversion of 300 000 °C.

 A secret bonus track "My Grave" (5:33) is available to download by putting the Transgression CD into your computer and clicking the 'Music' section at the special website it takes you to.

18 songs were recorded during the Transgression sessions, with five that have yet to be released. Two of them are:

1. "Ammunition" (Instrumental) (03:33) *Leaked online*
2. "Anthem" (Godflesh cover) (05:23) *Leaked online*

Recording information:

Recorded at Track Record Studios in North Hollywood, California with producer Toby Wright (Alice in Chains, Korn, Soulfly).

Drums recorded at Track Record Studios, North Hollywood, CA.

Guitars and bass recorded at Downtown Rehearsal, Los Angeles, CA.

Vocals recorded at Hang 'em High Studio, Reseda, CA.

Additional recording on "Supernova" at Carbon 12 Studio, West Hollywood, CA.

Mixed at Slip Sailor Studios, Los Angeles, CA.

Mastered at Marcussen Mastering.

Co-produced by Fear Factory.

Fear Factory "Obsolete (Digipak Edition, USA, Roadrunner Records, RR 8653-2)"

Obsolete (styled as °BSΩLE+e) is the third studio album by American industrial metal band Fear Factory, released on July 28, 1998, through Roadrunner Records. It was produced by Fear Factory, Greg Reely and Rhys Fulber, the latter of whom wrote, arranged and performed all of the album's keyboard parts, and was the band's first full album to feature bassist Christian Olde Wolbers, who performed on around half of the tracks of the band's previous album Demanufacture (1995).

Musically, the album saw Fear Factory experiment with their sound, featuring a more "organic" groove than the band's previous album. The band's first fully fledged concept album, Obsolete revolves around a story penned by vocalist Burton C. Bell, "Conception 5", set in the year 2076 where machines have taken over mankind.

With the success of its fourth single, a cover version of "Cars" by Gary Numan, featuring Numan himself on vocals, Obsolete would break Fear Factory into the mainstream and remain their highest selling album.

In 2019, Joe Smith-Engelhardt of Alternative Press included the song "Edgecrusher" in his list of "Top 10 nü-metal staples that still hold up today".

The group began writing and pre-production in late 1997. This came to a sudden halt when Ozzy Osbourne invited Fear Factory to open for the reunited Black Sabbath at two sold-out stadium shows at the Birmingham NEC. Fear Factory also headlined their own concert on December 7 in London. Early versions of “Edgecrusher” and “Smasher/Devourer” were performed at these shows. The band intended to return to work on their album in Los Angeles until late January when they would record in Vancouver with producers Rhys Fulber and Greg Reely. The working title Obsolete was announced during this time although not certain to remain. Production of the album lasted from February 21 to May 10, 1998. Recording lasted four weeks longer than the band planned, forcing them to cancel an appearance at the Dynamo Festival.

In a first, guitarist Dino Cazares used a seven-string guitar tuned down to A for this album. To compensate for this, Olde Wolbers began using a five-string bass. Gary Numan appears at the beginning of "Obsolete" and on the cover of his own 1979 song "Cars".

"Edgecrusher" features Olde Wolbers plays a stand-up bass that was given to him by Biohazard bassist/vocalist Evan Seinfeld. The song's breakdown features hip hop scratching. The latter would prove to be a point of contention not only with purist listeners, but within the band itself: According to Herrera, Olde Wolbers's suggestion to include it was initially met by strong resistance from Cazares, as did a number of other experimental ideas.

The title for "Smasher/Devourer" came from the anime version of A Wind Named Amnesia. Rhys Fulber originally intended Sarah McLachlan to provide additional vocals to "Timelessness".

Obsolete is a concept album. In contrast to Demanufacture, which only featured a loose concept, Obsolete revolves around a story, penned by vocalist Burton C. Bell, titled "Conception 5". Bell wrote "Conception 5" in two weeks. The story was inspired by books including Ira Levin's The Boys from Brazil, Aldous Huxley's Brave New World, George Orwell's 1984 and Arthur C. Clarke's 2001: A Space Oddysey. Bell said that the songs "Descent", "Resurrection" and "Timelessness" were "very personal" to him.

The story of Obsolete is set in the year 2076, where machines have taken over mankind. It was inspired by the band's belief that humanity has become too reliant on technology. Bell explained, "We're up to the point in the story where man is obsolete. Man has created these machines to make his life easier, but in the long run it made him obsolete. The machines he created are now destroying him. Man is not the primary citizen on earth." The world is governed by an organisation known as the "Securitron", who also controls the "Police 2000" and "Smasher/Devourer". The character of Securitron was inspired by the Internet. Cazares said: "Securitron's an actual organization that’s been created by the government for that purpose, to be monitored, so they know every move that you make."

The "Conception 5" story is detailed in its entirety in the album's CD booklet, featuring illustrations by artist Dave McKean. Bell explained the wealth of booklet content:

"That was the only way to totally bring the concept out. When you read the words, you can visualize it in your head. The music helps to augment that. It's like a mini-graphic novel with Dave McKean artwork throughout it and a great story that goes along with the music... The challenge was to make a story out of it. It was kind of difficult to join all of these elements together. But to us, challenge is the greatest thing. Challenge makes us strive for greater ideas and concepts."

Scene I

With the opening track "Shock", the album's protagonist, Edgecrusher, who is "the revolutionary leader for humans" and the only human character in the story, decides to rebel against society. The tracks "Edgecrusher" and "Smasher/Devourer" formally introduce the characters of Edgecrusher and Smasher/Devourer, with the former representing a rebel against society and the latter representing the existing power structure. From the description given in the album's booklet, the Smasher/Devourer is a large robot with an "egg-like frame" and "its arms are actually weaponry for protection", whilst in an interview with Mixdown Monthly, Cazares described it as "a clean-up man, [and] almost like a terminator" for the Securitron. "Securitron (Police State 2000)" touches on "the reduction in personal privacy brought on by increased technology".

Securitron (Police State 2000)" is the last song of the first scene and the next entity to start chasing Edgecrusher. Edgecrusher is constantly watched by the monitors of Securitron so he descends underground, into the shadows below street level where apparently the refuse is, but he knows that he is safe from incident from any enforcer among the trash. The song is about the police of this dictatorial regime, the Police 2000: how oppressive they are and how they are everywhere not giving any privacy or freedom to citizens. In the end of the scene Edgecrusher is forced to surface and the scene fades out with him running down a deserted street into the night.

Scene II

"Descent" is the only song of Scene II. Edgecrusher is alone in this song, he has grown tired from running for so long from Smasher/Devourer and the Securitron. He wonders if his mission is worth it, he dwells upon his life, and what it actually amounts to. Edgecrusher stops in an abandoned building to rest himself. As he falls to sleep on a cold, flat floor, he repeats the same words as he does every night; they are the lyrics to this song. As he wakes up and looks to the sky he realizes that his life is worth the effort, so he keeps going.

Burton C. Bell said of the song:

" 'Descent' is about the fall of mankind, but also about my fall. Because I fell into these depth, to where I could not pull myself out. I was the lowest of the low. I had done things, I had lied, cheated, I had just... betrayed most of my friends. And I sunk. I descended into oblivion."

Scene III

"Hi-Tech Hate" is Obsolete's "most political song", dealing with the buildup of weapons of mass destruction. The song is basically an anti-war, anti-nuclear proclamation from Dino Cazares. It depicts an anti-war protest of factions of various dissensions in front of the Securitron base, a heavily guarded fortress. The lyrics are the words of a man who emerges and speaks to the crowd through a megaphone.

As the man finishes, the Securitron enforcers move in on the crowd. He sees no way out of this situation: true freedom cannot be realized in a scrutinized society. He takes a can of gasoline and pours it on himself. With the match in his fingers, the lyrics of "Freedom or Fire" are his final words. This act of self-immolation is very much like Thích Quảng Đức's. "Obsolete" starts with a spoken intro by Gary Numan. They are the words of a Securitron enforcer who grabs the megaphone after the members of the crowd disperse in order to escape detainment of the enforcers. Of course, the main message of the song is that "man is obsolete" and that "our world [is] obsolete".

Having witnessed the events of these three songs, Edgecrusher begins to think how their humanity disappeared into the darkness, how mechanized they have become. As he eludes the enforcers, he enters a church and finds a statue of Jesus Christ. He has seen this image before. He apparently gains a lot of memories from seeing the statue and extends his arm to touch the face of it. In the song "Resurrection" Edgecrusher swears to continue his mission to save humanity. Bell called "Resurrection" "one of the most human songs on [Obsolete], because it's all about compassion. To me, to revive humanity is to revive compassion for one another." He also said that the song was "very important to me ... That song brought me out of my depression".

The scene and album end with "Timelessness". Edgecrusher walks away from the figure and as he glances back, it seems as though it he has been weeping. The Securitron forces capture Edgecrusher in the conclusion. This last song has a very melancholic feel to it. The lyrics are desperate; they are Edgecrusher's words (or probably thoughts) from the jail. We can feel his fear and despair: he lost his battle against machines and failed in saving mankind. Bell said that "Timelessness" is themed around loneliness, and that it was inspired by difficulties in his relationship with Tura Satana/My Ruin vocalist Tairrie B. The opening of the song features audio of Mario Savio giving his famous "Bodies Upon the Gears" speech.

Obsolete was initially released in a standard format in July 1998. Bell explained, "We wanted the album to come as the concept and the whole story. We had the ten songs in a row for it, and "Cars" was never meant to be on the record. We just knew it would either be a single later on or a B-side or an extra track later on somewhere else. Initially it just didn't fit with the concept." Despite the band's reservations, "Cars" was included as the final and eleventh track on many versions of the album. A few other satisfactory songs that did not fit the album's concept, including "Cars", were also later included on a limited edition digipak in March 1999. The songs included the Wiseblood cover "0-0 (Where Evil Dwells)" and "Soulwound" (a re-recording of "Soulwomb" off of the band's demo Concrete). The digipak also contained "Concreto" (another Concrete re-recording), which was originally released during the Demanufacture era, and "Messiah", a song that was recorded for the video game Messiah (although the game repeatedly got delayed and was not released until 2000).

Fear Factory joined Rob Zombie and Monster Magnet for a fall 1998 tour. They also began their first headlining US tour with System of a Down, Hed PE, Static-X, and Spineshank in early 1998. The tour ran into tragedy, however, when a rental truck housing all of the band equipment and merchandise was stolen from a hotel parking lot in Philadelphia. This forced several shows to be immediately rescheduled. Three days later, the stolen truck was found near the Walt Whitman Bridge, empty and in flames.

Regarding the theft, Burton C. Bell told MTV, "January 23 was a very dark day in Fear Factory history. Our entire production was in that truck including lights, merchandise, everything. Not only was our entire production in that truck, but also the other two group's who traveled with us. System of a Down, all their stuff got taken with the truck, same with a band called Spineshank, all their equipment as well. So everything, the whole show just drove off." Such problems on Fear Factory's first headlining tour proved demoralizing; however, Bell described the events as somewhat of a "blessing in disguise" as various one-off major city dates that needed rescheduling were expanded into multiple shows heading into mid April.

In a last-minute change, Fear Factory replaced Judas Priest in the Second Stage headlining slot of Ozzfest '99. The tour ran from May through July.

Three singles were released for Obsolete. "Shock" and "Descent" managed to chart but did not endure lasting popularity. Only after the release of "Cars", exclusive to the limited edition digipack version of Obsolete, did Fear Factory gain significant mainstream exposure. This was further aided by the song's music video directed by John S. Bartley.

A gold record of Obsolete was provided to Allbeat.com's charity auction for Death frontman Chuck Schuldiner who was suffering from a brain tumor. The auction faced severe controversy however; while the record sold for $1,000, the buyer never materialized. Other items up for auction, including a guitar signed by Papa Roach and articles from Crazy Town and Slipknot, also did not materialize. A new auction was to be organized, but Schuldiner died on December 13, 2001.

Largely due to the popularity of the band's rendition of "Cars", which reached No. 57 on the UK charts, Obsolete gained significant commercial success. As of 2002, the album had sold over 406,000+ copies according to SoundScan. It is Fear Factory's best selling album to date and was certified gold in Australia by the ARIA and also in the US by the RIAA.

The album received positive reviews. AllMusic's Greg Prato noted, "Admirably, they've stayed true to their sound over the years, paying no mind to current musical trends - they're content with their original Ministry-meets-Slayer sound." Kerrang! was more mixed, calling it "a disappointingly empty, one-dimensional experience".

Tracklist:

1. Shock 04:58  
2. Edgecrusher 03:39  
3. Smasher/Devourer 05:35   
4. Securitron (Police State 2000) 05:47   
5. Descent 04:37   
6. Hi-Tech Hate 04:34   
7. Freedom or Fire 05:11   
8. Obsolete 03:52  
9. Resurrection 06:35   
10. Timelessness 04:09
11. Cars (Gary Numan cover) 03:41  
12. 0-0 (Where Evil Dwells) (Wiseblood cover) 05:16  
13. Soulwound 03:53
14. Messiah 03:32  
15. Concreto 03:36

Time:  01:08:55  

Recording information:

Recorded at Mushroom Studios, Vancouver, B.C. (Feb. 1 - Mar. 22, 1998).

Mixed and additional recording at Armoury Studios, Vancouver, B.C. (Mar. 24 - May 10, 1998).

Digitally assembled at Gotham City, Vancouver, B.C. (May 12, 1998).

Mastered at Sterling Sound, New York (May 21, 1998).

Produced by Fear Factory and Rhys Fulber; additional production by Greg Reely

Recorded by Greg Reely

Mixed by Rhys Fulber and Greg Reely

Mastered by Ted Jensen

Artwork, design and cover concept by Dave McKean

All songs published by Roadblock Music, Inc./Hatefile Music, except "Timelessness", published by Roadblock Music, Inc./Hatefile Music and Copyright Control.

Fear Factory "Cars (Single & Video)"

"Cars" is the first solo single by the English musician Gary Numan. It was released on 24 August 1979 and is from his debut studio album The Pleasure Principle. The song reached the top of the charts in several countries, and is Numan's most successful single.

Fear Factory, an American industrial metal band, recorded a version of "Cars" and released it as the second single from their album Obsolete. The song was only included as a bonus track on the limited edition digipak re-release of Obsolete and would be instrumental in breaking Fear Factory into the mainstream. In their rendition, Gary Numan performs a duet with frontman Burton C. Bell.

According to Bell, around 1996, the band started performing "Cars" as an encore at European concerts. Word spread that Fear Factory was performing the song, and as a result, Gary Numan's manager contacted them. Upon request, Numan's management flew him out to the Vancouver studio for a three-day span to record vocals on "Cars." The band also asked Numan to record a spoken word piece for the introduction of the song Obsolete.

Numan had a long-standing dislike for being associated with what he perceived as dated music, and this initially made him apprehensive of working with Fear Factory until realizing "there was a chance that it could introduce me to a new generation of people who didn't know my history. And that can be useful, because my music's got a lot heavier and darker anyway." The result would be satisfactory for both parties, and Numan praised the band as "brilliant, really easy to work with. They didn't have a bad word to say about anyone."

The uncharacteristically bouncy and bright rendition somewhat contrasts with Fear Factory's reputation for intense, grinding metal, while the heavy use of synthesizer and other electronic elements corresponds with the band's industrial style. Drummer Raymond Herrera described the cover as "basically like a blueprint of a futuristic car." He added that, while other songs were considered, the band chose "Cars" because all the band members knew and appreciated it and because the keyboards suited Fear Factory's sound. Herrera later noted that the group initially wanted to record U2's "New Year's Day" but chose "Cars" because they were fortunate enough to have Numan participate. Fear Factory later covered the U2 song "I Will Follow," in 2005.

"Cars" played a significant part in Obsolete's status as Fear Factory's highest-selling album. By 2001, it had sold over 750,000 copies. According to Herrera, the cover received greater enthusiasm in the UK than in the band's native US, which was validated by its chart status. During the song's promotion, Gary Numan joined the band for a concert performance in Brixton, London to much enthusiasm.

After the radio trade publication R&R listed "Cars" as the most added track on both active rock and mainstream rock in May 1999, the song earned "Breaker" status and continued to surge up the chart. "Cars" debuted and peaked at number 57 in the UK Singles Chart on 9 October.

It peaked at No. 16 on the Billboard Mainstream Rock chart and No. 38 on Modern Rock Tracks.

The song was featured as the main theme for Test Drive 6, a video game released in 1999 for the PlayStation and Dreamcast consoles.

Numan also appears in the sci-fi music video, directed by John S. Bartley and filmed in Vancouver, which debuted in June 1999. Bell enthusiastically described the ambitious video as having a "Stanley Kubrick-type of vibe to it":

[Bartley] put Gary and me into harnesses and we had to simulate floating in space. We were floating around this junked out '79 Trans Am that he had as this car in space, and we're coming up to it. They had another '70 Trans Am that was turned into a spaceship, and that's what we're driving in. It was just wicked. It was unbelievable. It was like a dream come true.

According to Bell, at one point during the shoot, Numan remarked, "Odd; the song is about cars – why are we in space?"

Track listing

1. "Cars" (remix) – 3:39
2. "Descent" (Falling Deeper Mix) – 4:38
3. "Edgecrusher" (Urban Assault Mix) – 4:33

Fear Factory "Dog Day Sunrise (Single & Video)"

"Dog Day Sunrise" is a song by British rock band Head of David, released in 1988 as the third track on their second studio album, Dustbowl.

"Dog Day Sunrise" was covered by American industrial metal band Fear Factory on their second studio album, Demanufacture (1995). It was released as the second and final single from the album on February 22, 1996.

The song reached No. 85 on the UK singles chart, but did not chart anywhere in the US.

Track listing

1. "Dog Day Sunrise" (Edit) 2:47
2. "Replica (Electric Sheep Mix)" 4:00
3. "Concreto" 3:30
4. "Dog Day Sunrise" (LP) 4:47

Total length: 15:04

Tracks 1 & 3 are previously unreleased.

Recording information:

Recorded at Bearsville Studios, Bearsville, NY (October 7 - November 20, 1994).

Additional tracking at Whitfield Street Recording, London, UK (December 2 - 18, 1994).

Mixed at The Enterprise Studios, Burbank, CA (February 4 - 26, 1995). Co-mixed by Fear Factory.

Mastered at Sterling Sound, New York, NY.

Eisenvater "I (Germany, We Bite Records, WB 1-089-2)"

Eisenvater es una banda de rock/metal fundada en Hamburgo en abril de 1990 por Jim Sudmann y Markus E. Lipka, cuyo sonido se define principalmente por las guitarras eléctricas y combina elementos estilísticos del sludge , el doom y el metal industrial.

I es su primer larga duracion, publicado en 1992.

Tracklist:

1. Der Säuger 04:50  
2. Fleisch 02:10  
3. Der Greuel 04:48  
4. Mutter 03:20  
5. Blind 03:42  
6. Die Lüge 07:54  
7. Hund 03:10  
8. Gudrun 04:00  
9. Aggressos Apathis 04:32  
10. Ayay! 04:02  

Time:  42:28  

Recording information:

Recorded at Soundgarden Studios, Hamburg.

Die Krupps "A Tribute To Metallica (EP, Japan, Pony Canyon, PCCY-00519)"

Die Krupps is a German Industrial Metal/EBM band, formed in 1980 by Jürgen Engler, Ralf Dörper, and Bernward Malaka in Düsseldorf.

In 1992, they began to utilize guitars and more sounds derived from heavy metal music, with the release of their album I and the EP Tribute to Metallica, which consisted of covers of Metallica songs.

Tracklist:

1. Enter Sandman (Metallica cover) 05:29   
2. Nothing Else Matters (Metallica cover) 06:06  
3. Blackened (Metallica cover) 06:33
4. Battery (Metallica cover) 05:20   
5. For Whom the Bell Tolls (Metallica cover) 04:56  
6. The Unforgiven (Metallica cover) 06:44  
7. One (Metallica cover) 05:00   
8. Enter Sandman (Metallica cover, Remix) 07:11   
9. One (Metallica cover, Remix) 05:04   
10. Enter Sandman (Metallica cover, Bastard Club Mix) 05:44
11. One (Metallica cover, Ugly Stepchild Mix) 04:45   

Time:  01:02:52

As the title suggests, all songs are Metallica covers.

Manufactured in Japan by Pony Canyon under license from Hollywood Records.

Comes with OBI strip, Japanese liner notes, and includes 2 exclusive bonus tracks.

Recording information:

Recorded at Atom H Studios, Düsseldorf, Germany

Tracks 1-5 mixed at Mohrmann Studios, Witten, Germany

Track 6 mixed at Atom H Studios, Düsseldorf, Germany

Track 7 mixed at Eldorado Studios, Los Angeles, California, USA