Kiss "Destroyer"

Destroyer is the fourth studio album by American rock band Kiss, released on March 15, 1976 by Casablanca Records in the US. It was the third successive Kiss album to reach the top 40 in the US, as well as the first to chart in Germany and New Zealand. The album was certified gold by the RIAA on April 22, 1976, and platinum on November 11 of the same year, the first Kiss album to achieve platinum. The album marked a departure from the raw sound of the band's first three albums.

After attaining modest commercial success with their first three studio albums, Kiss achieved a commercial breakthrough with the 1975 concert album Alive!. It was the first album by the band to be certified gold. The success of Alive!, which spent 110 weeks on the charts, benefited not only the struggling band but their cash-strapped label Casablanca Records. Kiss signed a new contract with Casablanca in late 1975, partly because the label had been very supportive from the start of the band's career. The contract was for two albums, an indication that Casablanca was unsure if the group could duplicate the accomplishments of Alive!.

Bob Ezrin, who had previously worked with Alice Cooper, was brought in to produce the album. Among the production flourishes Ezrin introduced to Kiss were sound effects, strings, screaming children, reversed drums (on "God of Thunder") and a children's choir. The song "Great Expectations" uses the first phrase of the main theme from the second movement of Beethoven's Piano Sonata No. 8 in C minor, Op. 13 (known as Sonata Pathétique), but songwriting is credited to Simmons and Ezrin.

Destroyer is the first Kiss album to prominently feature outside musicians, such as members of the New York Philharmonic. One musician not credited was Dick Wagner, from Alice Cooper's band, replacing Ace Frehley on the track "Sweet Pain". Wagner also played the acoustic guitar found on the song "Beth". The success of Alive! and Destroyer enabled the band to embark on their first tour of Europe.

Rehearsals for Destroyer began in August 1975, while the group was embarked on their supporting tour for Alive!. The band felt that Bob Ezrin was the right person to help them take their sound to the next level and to maintain the commercial success they had achieved with Alive!

The first recording sessions for the album took place in September 3–6, 1975 at Electric Lady Studios in New York City, during a brief break between the Dressed to Kill and Alive! tours. The basic album tracks were recorded during this time. The majority of the recording sessions for Destroyer took place in January 1976, after the conclusion of the Alive! tour.

The first demo recorded during the Destroyer sessions was "Ain't None of Your Business" featuring Peter Criss on vocals. The plodding, heavy song, written by country songwriters Becky Hobbs and Lew Anderson, was rejected by the band and later appeared on the 1977 debut album by Michael Des Barres' band Detective. Although this song was rejected, other outside songs and suggestions were accepted by the band. In particular, Kim Fowley and Mark Anthony became important contributors during the songwriting process., bringing in the title and basic structure of the song "King of the Night Time World" from their previous band Hollywood Stars' then-unreleased 1974 album Shine Like a Radio (which also featured the original version of the Alice Cooper song "Escape" from Welcome to My Nightmare).

During the recording sessions, Ezrin resorted to numerous tactics designed to increase the quality of music Kiss recorded. Because none of the group were trained musicians, Ezrin halted the sessions at one point to provide lessons in basic music theory. In an effort to instill a sense of discipline, he wore a whistle around his neck and exhorted the band with sayings such as, "Campers, we're going to work!". When Simmons stopped playing during the recording of an outro, Ezrin yelled at him, saying, "Don't you ever stop a take unless I tell you!"

Paul Stanley later compared the experience of working with Ezrin as "musical boot camp" but said that the group "came out a lot smarter for it." Simmons echoed the sentiment by stating, "It was exactly what we needed at the time."

The cover art for Destroyer was painted by fantasy artist Ken Kelly. Kelly's work was brought to the attention of Simmons, who met with Kelly to discuss ideas for Destroyer. Kelly agreed but asked to see Kiss perform live first to gain inspiration. He was invited to a show and given a backstage pass. He later said of the performance, "It blew me away." Kelly was later commissioned by the band to draw the cover for 1977's Love Gun.

Kelly's original version of the album cover was rejected by the record company because they felt the scene was too violent looking with the rubble and flames. Also, the original version had the members of Kiss wearing the Alive! costumes. The front cover shows the group striding on top of a pile of rubble, and a desolate background spotted with destroyed buildings, some of which are engulfed in flames. The back cover shows a similar scene, but with more buildings on fire. The front of the inner sleeve featured a large Kiss logo and the lyrics to "Detroit Rock City". The other side displayed the lyric "SHOUT IT OUT LOUD", as well as an advertisement for the Kiss Army fan club.

Track listing

Side one

1. "Detroit Rock City" Paul Stanley, Bob Ezrin Stanley 5:17
2. "King of the Night Time World" Stanley, Kim Fowley, Mark Anthony, Ezrin Stanley 3:19
3. "God of Thunder" Stanley Simmons 4:13
4. "Great Expectations" Gene Simmons, Ezrin Simmons 4:24

Side two

1. "Flaming Youth" Ace Frehley, Stanley, Simmons, Ezrin Stanley 2:59
2. "Sweet Pain" Simmons Simmons 3:20
3. "Shout It Out Loud" Stanley, Simmons, Ezrin Stanley, Simmons 2:49
4. "Beth" Peter Criss, Stan Penridge, Ezrin Criss 2:45
5. "Do You Love Me" Stanley, Fowley, Ezrin Stanley 3:33
6. "Rock and Roll Party" Simmons, Stanley, Ezrin Instrumental 1:25

Total length: 34:11

"Rock and Roll Party" appears as a hidden track on the original vinyl pressing. It appears a few seconds after "Do You Love Me?".