White Zombie "Astro-Creep: 2000 – Songs Of Love, Destruction And Other Synthetic Delusions Of The Electric Head (USA, Geffen Records, GEFD-24806)"

Astro-Creep: 2000 – Songs of Love, Destruction and Other Synthetic Delusions of the Electric Head is the fourth and final studio album by American heavy metal band White Zombie, released on April 11, 1995, by Geffen Records. The album proved to be their most commercially successful recording, peaking at number six on the Billboard 200 with the aid of the popular hit singles "More Human than Human" and "Super-Charger Heaven". It was the band's only studio album to feature John Tempesta on drums.

The album was highly anticipated due to the surprise success of the band's previous release La Sexorcisto: Devil Music Volume One. Ivan DePrume, the band's long-time drummer, had left the band to start Burningsound studios during their touring sessions for that album. The band later recruited former Exodus and Testament drummer John Tempesta for the recording of this album. The album had help from significant industrial musicians, such as the keyboard work from Charlie Clouser, who had worked with artists like Nine Inch Nails, Rammstein, Marilyn Manson, Killing Joke, and more. They had also hired Terry Date (Deftones, Pantera, Soundgarden) to produce Astro-Creep: 2000 for them. According to J., the album comprises seventy-two track recordings, forty-eight of which are analog and twenty-four being digital recordings. For the album, the band had a much bigger recording budget and more freedom in time.

The entire album took three months to write and another three to record. Writing for the album began in June 1994, shortly after White Zombie finished touring Japan. Recording was scheduled to commence in September 1994, and the album was finished by Christmas 1994.

The album is much heavier than La Sexorcisto and has been called "white-trash-on-acid metal" by Stephen Thomas Erlewine of AllMusic. The band also down-tuned the guitars and bass to give it the darker sound that the songs required, going from standard E tuning to dropped C# (1.5 steps below standard E).

Much of the lyrics are also darker and more disturbing than on the previous album, and are arranged more like twisted poetry than La Sexorcisto's pseudo-rap scores, dealing with murder, the undead, blasphemy, and satanic elements.

As with the previous two albums, many of the songs feature snippets of dialogue from horror and cult films including The Omega Man, Shaft, The Haunting, The Curse of Frankenstein and To the Devil a Daughter. The titular refrain of "More Human Than Human" is taken from the 1982 film Blade Runner.

Rob has said he favors this album to the previous one, stating, "I was never that happy with it [La Sexorcisto]. In some respects, it was probably the best thing we could do at the time under the circumstances; and that this record was exactly what we wanted it to sound like."

Astro-Creep: 2000 received generally positive reviews from critics, it is White Zombie's best-selling album, being certified double Platinum by the RIAA and selling over 2,600,000 copies in America since its release. There was also a limited 50,000 pressings of this album on see-through blue vinyl. The album has been certified by CAN platinum. The album was nominated for a Grammy Award for Best Engineered Album and the band's biggest hit, "More Human than Human", nominated for a Grammy Award for Best Metal Performance in 1996.

To promote the album, music videos for "More Human than Human", "Electric Head Pt. 2 (The Ecstasy)", and a live video for "Super-Charger Heaven" were released. In 1995, "More Human than Human" won the MTV Video Music Award for Best Rock Video.

There were also plans to start filming a video for "Blood, Milk and Sky" after Christmas as well as eventually filming a video for every song on the album. However, these plans were scrapped when the band dissolved.

Track listing

All lyrics are written by Rob Zombie, Music as indicated.

1. "Electric Head Pt. 1 (The Agony)" Yseult, Yuenger, Tempesta 4:54
2. "Super-Charger Heaven" Yseult, Yuenger, Tempesta 3:37
3. "Real Solution #9" Yseult, Yuenger, Tempesta 4:44
4. "Creature of the Wheel" Yseult, Yuenger 3:25
5. "Electric Head Pt. 2 (The Ecstasy)" Yseult, Yuenger, Tempesta 3:53
6. "Grease Paint and Monkey Brains" Yseult, Yuenger, Tempesta 3:49
7. "I, Zombie" Yseult, Yuenger, Tempesta 3:31
8. "More Human than Human" Yseult, Yuenger 4:28
9. "El Phantasmo and the Chicken-Run Blast-O-Rama" Yseult, Yuenger, Tempesta 4:13
10. "Blur the Technicolor" Yseult, Yuenger 4:09
11. "Blood, Milk and Sky[I]" Yseult, Yuenger, Tempesta 11:21

Total length: 52:01

^ I "Blood, Milk and Sky" contains the hidden track "Where the Sidewalk Ends, the Bug Parade Begins" at 8:45, after 3 minutes of silence. On the digital version, however, the hidden track is its own 2:33 track.

Often referred to simply as "Astro-Creep: 2000". The lengthy title was meant to parody the grunge bands from that time frame who usually used one-word album titles.

This is the first (and only) album without longtime drummer Ivan DePrume.

A music video was made for the song "More Human than Human", which became a highly successful hit single. Videos were also made for Super-Charger Heaven, and Electric Head Pt.2 (The Ecstasy).

The moaning used in "More Human than Human" is from the 1982 post-apocalyptic pornographic film Café Flesh.

This is the band's final album of original material as the following release Supersexy Swingin' Sounds is just a remix of this album.

Track 1 intro movie sample and track 2 movie sample at 2:27 from "To the Devil a Daughter."

Track 2 intro movie sample from "The Haunting" (1963).

Track 3 intro sample is from an interview with Patricia Dianne Krenwinkel of the Manson Family.

Track 4 movie samples from "The Omega Man."

Track 5 movie samples from "Shaft" (1971).

Recording information:

Recorded At – NRG Studios

Mixed At – Larrabee Sound Studios

Mastered At – Sterling Sound

Terry Date – production, recording, mixing

Lamont Hyde – mixing assistant

Ted Jensen – mastering

Wade Norton – recording assistant

Ulrich Wild – recording