Edguy "Space Police (Defenders Of The Crown) (2CDS Limited Edition Digibook, Germany, Nuclear Blast, NB 3282-0/27361 32820)"

Space Police: Defenders of the Crown is the tenth studio album by the German power metal band Edguy. It was released on 18 April 2014 through Nuclear Blast. The cover art was unveiled on 1 February, and 15 days later, the band announced the track listing.

The band's vocalist and frontman, Tobias Sammet, has promoted the album as the heaviest the band has ever done. It was composed over two months, with the band members working altogether at the same studio with producer Sascha Paeth. The band said of the album:

We have focused on what makes this band unique and recorded what we believe is going to be the strongest and heaviest album Edguy has ever recorded. [...] There is no doubt that this album is going to be the album Edguy will be measured against in the future.

In an interview, Tobias and lead guitarist Jens Ludwig explained that the title of the album is based on two of its tracks, because they thought both names would be suitable for the new work. According to Tobias, Defenders of the Crown is a reference to Edguy being the real "defender of the heavy metal crown", while Space Police sounded like Frank Zappa or David Bowie and is a title that most heavy metal bands would not use. In another interview, Tobias commented:

Because we couldn't decide which title was better, we just went with both. Does it make sense? No! Does it sound exciting: Hell, yes! Mission accomplished!

The opening track "Sabre & Torch" (which received a lyric video on 17 March 2014) was written shortly after the 2013 Avantasia tour and refers to the attitude of the band, doing things that other weren't expecting. "We feel like explorers: We go where no man's been before, just armed with the sabre in one hand and a torch in the other..."

The co-title track "Space Police" was described by Tobias as "a track that really reflects what this band is all about. It’s crazy but powerful and very, very creative, catchy... It's got drive." According to him, the term "space police" is a metaphor for people who want to create and enforce laws on territories that should not be limited by rules. More specifically speaking, he criticizes people who try to tell rock bands what to do and what to say when musicians are actually willing to live above rules and without limitations.

The Space Cops lurk everywhere, in the corridors of power of the music industry, in the press, some are your ex-fans who loved you when you were an insider's tip, an underground act who hadn’t sold out yet. You know, childish bullshit...

Tobias described the single "Love Tyger" as a "tribute to himself". It describes the history of a guy who is brought to Earth by the Gods as a gift to mankind. Its guitar riff was conceived by Tobias himself and the song was thought of even before Age of the Joker, but Tobias decided not to include it in that album nor in Avantasia's The Mystery of Time, due to it being too "light-hearted".

"The Realms of Baba Yaga" was maybe the last song to be written for the album and is about a person that gives in to temptation to a point that they cannot control the situation anymore, using the folkloric witch as a metaphor. Tobias described its guitar solo as the best Ludwig has ever played.

"Rock Me Amadeus" is a cover of Austrian singer Falco. Tobias was first planning to make a cover of "Der Kommissar", but Sascha Paeth suggested he covered "Rock Me Amadeus" instead. It marks the first time Tobias raps and also the first German language song by the band and by him on an album.

"Do Me Like a Cavemen" was co-composed by Ludwig, but the song was subject of many discussions between him and Tobias, who were both unsatisfied with each other's musical inputs. "Shadow Eaters" was also co-composed by Ludwig and it's about the power of one's mind and what can be achieved when focusing on the elimination of negative thoughts.

"Alone in Myself" is about "the feeling of realizing that the world around you does not perceive things the way they should be perceived", and how one can be misunderstood for not finding the right words for expressing themselves.

The ending and longest track, "The Eternal Wayfarer", talks about the immortality of the soul, which Tobias says he's trying to find evidence of, but is yet to do so. The chorus of the song dates back to 2005–06, by the time of Avantasia's The Scarecrow first sessions.

The limited edition comes with four instrumental versions of regular edition tracks, one progressive version of "Space Police", and two bonus tracks: "England", a song about the United Kingdom and the likes of Steve Harris of Iron Maiden, Bob Catley of Magnum and Scotland's William Wallace; and "Aychim in Hysteria", which is lyrically a tribute to the band's live sound engineer and musically a tribute to British group Def Leppard, specifically to their Hysteria era.

Space Police has been well received by critics. Writing for All About The Rock, Mark Booth said: "Tobias Sammet is a musical genius as he has proven that you don't have to be serious all the time but can write humorous songs that still are heavy, power and amazingly catchy but stick to the metal roots (like JUDAS PRIEST have done in the past etc) and Tobias is in league with musical genius Devin Townsend."

Tracklist:

Disc 1

1. Sabre & Torch 05:00  
2. Space Police 06:00   
3. Defenders of the Crown 05:39  
4. Love Tyger 04:26  
5. The Realms of Baba Yaga 06:07   
6. Rock Me Amadeus (Falco cover) 03:20  
7. Do Me like a Caveman 04:09
8. Shadow Eaters 06:08
9. Alone in Myself 04:36   
10. The Eternal Wayfarer 08:50

Time:  54:15  

Disc 2

1. England 04:28
2. Aychim in Hysteria 04:03   
3. Space Police (prog version) 06:03   
4. Space Police 06:02
5. Love Tyger 04:27   
6. Defenders of the Crown 05:41
7. Do Me like a Caveman 04:11  

Time:  34:55

Recording information:

Recorded, mixed and mastered at Gatestudio Wolfsburg.

Sascha Paeth - producing, mixing, mastering, engineering

Michael Rodenberg - mastering, engineering

Ole Reitmeier, engineering

Arne "The Schlagerpirat" Wiegand

Dan Frazier - cover art

Thomas Ewerhard - design & layout

Alex Kuehr - photos

Edguy "Age Of The Joker (2CDS Digipak, Embossed Sleeve, Germany, Nuclear Blast, NB 2714-0/27361 27140)"

Age of the Joker is the ninth studio album by the German power metal band Edguy. It was released on 26 August 2011 through Nuclear Blast.

Alongside the normal release, a double disc digipak edition was also issued, featuring b-sides, single versions of two album songs, as well as a cover of the Slade hit "Cum on Feel the Noize". A music video was shot for "Robin Hood", featuring German comedian Bernhard Hoecker and parodying the film The Adventures of Robin Hood.

The album was listed at many charts throughout Europe, reaching No. 3 in Germany, No. 10 in Czech Republic, No. 13 in Switzerland, No. 30 in Austria and No. 63 in France.

In a review for AllMusic, critic reviewer Jon O'Brien wrote: "Age of the Joker makes little concession to anything remotely close to the 21st century, but it's difficult to dislike a record that both wears its retro intentions so boldly on its sleeve and displays a sense of humor that's lacking in many of their fellow over-earnest hair metal revivalists."

Tracklist:

Disc 1

1. Robin Hood 08:26  
2. Nobody's Hero 04:33   
3. Rock of Cashel 06:20
4. Pandora's Box 06:47   
5. Breathe 05:05
6. Two Out of Seven 04:29  
7. Faces in the Darkness 05:24
8. The Arcane Guild 05:00
9. Fire on the Downline 05:48
10. Behind the Gates to Midnight World 08:58   
11. Every Night Without You 04:52

Time:  01:05:42  

Disc 2

1. God Fallen Silent 05:04  
2. Aleister Crowley Memorial Boogie 04:34
3. Cum on Feel the Noize (Slade cover) 03:53
4. Standing in the Rain 04:02   
5. Robin Hood (Single Version) 04:54   
6. Two Out of Seven (Single Version) 03:39

Time:  26:06  

Recording information:

Produced by Sascha Paeth.

Recorded at Peppermint-Park - Hanover & Gatestudio - Wolfsburg in April & May 2011.

Recorded by Sascha Paeth, Oiaf Reitmeier and Simon Oberender.

Mixed & mastered at Gatestudio - Wolfsburg, Germany.

Mixed by Sascha Paeth.

Olaf Reitmeier - engineer

Simon Oberender - engineer, mastering

Edguy "Tinnitus Sanctus (2CD Digipak, Germany, Nuclear Blast, NB 2179-0/27361 21790)"

Tinnitus Sanctus is the eighth studio album by German heavy/power metal band Edguy, released on 14 November 2008 on Nuclear Blast. This album combines progressive-oriented hard rock heard on their previous album Rocket Ride with elements of speed metal.

The album was released in several formats. The standard edition was issued in a jewel case and included the 10 album tracks and a bonus track. A digipak edition included the album with the bonus track, and a bonus live CD, recorded in Los Angeles during the Rocket Ride tour. A mailorder edition, available exclusively through the Nuclear Blast webshop, was issued in a tin case. A double LP version was also available.

Initial press reaction to the album was positive, with Tanja Weinekötter of Fury calling it "the strongest Edguy album so far", whilst frontman Tobias Sammet felt that it "could be the album we'll be measured by in the future".

A video was shot for the track "Ministry of Saints" in Belgrade, Serbia.

Tracklist:

Disc 1

1. Ministry of Saints 05:02   
2. Sex Fire Religion 05:57
3. The Pride of Creation 05:29   
4. Nine Lives 04:27  
5. Wake Up Dreaming Black 04:06  
6. Dragonfly 04:57   
7. Thorn Without a Rose 04:47  
8. 9-2-9 03:48   
9. Speedhoven 07:43   
10. Dead or Rock 05:00  
11. Aren't You a Little Pervert Too?! 02:20  

Time:  53:36  

Disc 2

1. Catch of the Century (Live) 05:13  
2. Sacrifice (Live) 08:23  
3. Babylon (Live) 07:29  
4. Lavatory Love Machine (Live) 04:24  
5. Tears of a Mandrake (Live) 07:42  
6. Vain Glory Opera (Live) 06:26  
7. Superheroes (Live) 03:24  
8. Fucking with Fire (Live) 04:37  
9. Avantasia (Avantasia cover) (Live) 06:57  
10. King of Fools (Live) 05:25  

Time:  01:00:00  

Disk 2 "Live in Los Angeles" was recorded in Hollywood during the Rocket Ride World Tour.

Recording information:

Produced, recorded, mixed and mastered in May-September 2008 at Gatestudios, Wolfsburg, Germany.

Disk 2 recorded in Hollywood in September 2007 by Billie Stevens for Dinky Music and mixed at Gatestudio by Simon Oberender.