Cries from the Quiet World: AC/DC "Fly on the Wall"

miércoles, 7 de junio de 2017

AC/DC "Fly on the Wall"

Fly on the Wall is an album by Australian hard rock band AC/DC. It was the band's ninth internationally released studio album and the tenth to be released in Australia. All songs were written by Angus Young (guitar), Malcolm Young (guitar), and Brian Johnson (vocals). The album was re-released in 2003 as part of the AC/DC Remasters series.

Although AC/DC's 1983 album Flick of the Switch had gotten mixed reviews from critics, the band remained one of the biggest hard rock acts in the world. In October 1984, Atlantic Records in the United States released the EP '74 Jailbreak, a collection of previously unheard studio tracks culled mainly from the band's 1975 Australian debut High Voltage, which was well received by fans. In January 1985, the band took three weeks off from recording what would become Fly on the Wall to headline two nights at the 10-day Rock In Rio festival in Rio De Janeiro, Brazil, appearing to over 250,000 people on 19 January with the Scorpions, Whitesnake, and Ozzy Osbourne.

The sessions for Fly on the Wall took place in Montreux, Switzerland at Mountain Studios in late October 1984. Originally released on 28 June 1985, it was AC/DC's first album since the original Australian version of High Voltage not to include drummer Phil Rudd, who was replaced by Simon Wright (although Wright appeared in music videos for Flick of the Switch tracks), making it the first AC/DC album with all band members born in the UK. It was the second and last album to be produced by band members, but in contrast to their previous album, Flick of the Switch, which was produced by the band as a whole, Fly on the Wall was produced only by guitarists Angus and Malcolm Young, who hoped to capture the rawness and simplicity of their early works in a time when pop-oriented glam metal became popular. In a 1985 interview with Sky Channel for the Monsters of Rock show, Brian Johnson explained, "In my experience, the lads went in with a producer, but they were still really telling the lad what they wanted, so in a round-about way all it is an extra pair of ears. An expensive extra pair of ears."

The album was not well received by critics and only sold one million copies upon its release, as opposed to the success of their previous albums, Back in Black and For Those About to Rock We Salute You. The singles "Shake Your Foundations" and "Sink the Pink", however, are seen as standouts, and both songs were later included on the band's soundtrack album Who Made Who for Stephen King's film Maximum Overdrive. However, the song "Danger" fell flat in concert and was banished from the set. Some critics also complained that Johnson's vocals were difficult to decipher, and the band would indeed raise them in the mix for the Who Made Who soundtrack. A home video of AC/DC performing five songs from the album was released in the summer of 1985. The video, also titled Fly on the Wall, features the band playing the songs "Fly on the Wall", "Danger", "Sink the Pink", "Stand Up", and "Shake Your Foundations" at a small bar in New York City named The Crystal Ballroom. At the bar, a photographer attempts to sneak in to take photographs of the band, and as the band performs, new characters are introduced during each song, including three suit-clad men and two women during "Stand Up", and a lady dressed in all pink during "Sink the Pink". The cartoon fly depicted on the album cover is also seen in the video. If nothing else, the video demonstrated the band's new commitment to the now powerful MTV by going beyond performance based videos.

AC/DC's 1985 Fly on the Wall tour was marred by bad publicity when serial killer Richard Ramirez was arrested. Ramirez, who would be nicknamed the "Night Stalker" by the press, told police that the song "Night Prowler" from the band's 1979 Highway to Hell album had driven him to commit murder, and police also claimed that Ramirez was wearing an AC/DC shirt and left an AC/DC hat at one of the crime scenes. As Murray Engelheart observes in his book AC/DC: Maximum Rock & Roll, "It was just what the band's detractors had been waiting for and the media, especially in America, immediately seized on the case. Wild accusations that AC/DC were, in fact, devil worshippers were bandied about...The lyrics of 'Night Prowler' were carefully analysed and some newspapers attempted to link Ramirez's Satanism with AC/DC's name, somehow arriving at the conclusion that AC/DC actually stood for Anti-Christ, Devil's Child." The band maintained that the song had been given a murderous connotation by Ramírez, but is actually about a boy sneaking into his girlfriend's bedroom at night while her parents are asleep. In an 2000 interview for the MuchMoreMusic documentary The Story of AC/DC Angus wryly states, "I can't remember the last black mass I attended."

In the original Rolling Stone review of the album, Tim Holmes wrote, "You'd never guess how sexist and politically incorrect all this is if you didn't read the lyric sheet, because you sure can't make out a single word coming out of the dentist's-drill glottis of Brian Johnson (except maybe the song titles, which tend to be repeated like mantras). Angus Young is also in great form, playing the dumbest, most irresistibly repetitive chords in the lexicon." AllMusic: "Fly on the Wall continues AC/DC's descent into cookie-cutter mediocrity, with the leering humor of past glories seeming forced and uninspired, and the music remaining somewhat underdeveloped and directionless." In his 1994 Bon Scott memoir Highway to Hell, author Clinton Walker calls the album a "disaster". US gossip magazine People picked the LP as best album of 1985.

Track listing

All tracks are written by Malcolm Young, Angus Young and Brian Johnson.

Side one