Cries from the Quiet World: Morbid Angel "Kingdoms Disdained"

lunes, 1 de enero de 2018

Morbid Angel "Kingdoms Disdained"

Kingdoms Disdained is the ninth studio album by American death metal band Morbid Angel, which was released on December 1, 2017 by Silver Lining Music. It is the first album since 2003's Heretic to feature Steve Tucker and the introduction of Annihilated drummer Scott Fuller. It is also the first to not feature David Vincent, Destructhor and Tim Yeung since 2011's Illud Divinum Insanus, as all three members left the band in 2015.

On August 3, 2016, Morbid Angel originally signed to UDR Music and was at work on a new studio album, which would be released in 2017 and a tour to take place that year. They later signed on officially to Silver Lining Music as a result. In March 2017, Tucker said that the album would be a "death metal album". On the opening night of the band's early summer U.S. tour, the song originally titled "Warped", later named "Paradigms Warped", was performed for the first time. The cover artwork was first unveiled on October 5, along with two tracks following thereafter.

The album's title refers to the current aural document of a world sinking into uncharted despair, as explained by Tucker. He also says that the artwork "is a fair image of the world today, but taken from a different perspective; the perspective of those Gods who built this, who may be resting now but are starting to wake up." In addition to Tucker's take on the album's title, Trey Azagthoth told Revolver that it references the 1980's animated cartoon Thundarr the Barbarian.

When talking about the album, Tucker says that it has "a big, grandiose vibe that sort of becomes a little larger than life. That's really what I like most about the album myself. I think what stands out about it, is that even though it's really raw and nasty, it's kind of timely as well. I think it fits into what is going on in the world today."

When talking about the making of the album, Tucker explains, "The first thing Trey said to me was, 'I want to make killer music with killer people.' To go into any more detail than that, honestly, I don't even remember, but it was really just about, 'Hey, man, I want this to be MORBID ANGEL. I don't want this to be what it was being changed to be.' I told Trey my first question was always musical direction. Any time it involves playing music, that's got to be the first question. Everything Trey said to me and all the discussions we had made me very comfortable that Trey had every intention on doing the kind of album that MORBID ANGEL fans expect and that I, personally, feel. To do anything else, I don't feel it, and, to be honest with you, it's not going to be great by any means if I'm trying to do something that, to me, is fake. I think the thing is the same about Trey. Trey's a very focused and singular-focused person when it comes to music. I think he knew exactly what he wanted. He knew that I was the right guy to give him what he wanted out of this album." Tucker, Azagthoth and Fuller contributed to the songwriting and the inspiration of the lyrics come from "social events that are occurring through time, repeatedly" and "from always a third-person perspective. They're definitely always from the eyes of someone who is neutral. They are an observation more than anything."

Critical reception has generally been positive, with critics praising the album as a return to form after the band's controversial past affair Illud Divinum Insanus. Critics have noted that Kingdoms Disdained represents a pivot away from the industrial-influenced style of their previous album, and a return to the more traditional death metal approach of Formulas Fatal to the Flesh and Heretic. Exclaim! wrote positively about the album, praising returning vocalist Steve Tucker's performance on the album, but concluded that "Azagthoth's riffs are the main highlight of the album, as they showcase all of the familiar crushing heaviness and forward-thinking technical intricacies that make him an impeccable songwriter." Pitchfork wrote that the album "sets the band back on course", arguing that the album benefits from the return much more traditional death metal sound. Metal Hammer wrote a glowing review of the album, describing the album as "streamlined, grandiose and utterly complete", and singling out Trey Azagthoth for particular praise, arguing that "no one wields the demonic spirit of death metal with anywhere near the same sense of power and mastery."

Sputnikmusic wrote a more critical review of the album in which they criticised the album for dragging in the second half as "too many tracks drag the album down and too few highlights to pick it up." They argued that "The problem songs all tend to be the longest and most repetitive, full of forays into slow, chuggy passages (suspiciously deathcore like at times even) and often lacking Azagthoth’s legendary solos. Conversely the best songs (see the opening handful and a few highlights in the back half like “For No Master”) are usually sharp, concise, and high tempo riff fests", while also suggesting that the album lacked the distinctive personality of the band's previous records. Decibel wrote that "beneath the horns is a no-compromise sound that works hard to reinvent the halcyon moments on Formulas Fatal to the Flesh and Heretic", though they criticized the album for a lack of diversity amongst the songs, concluding that "minds won't be blown, but merely sated."

Track listing

All lyrics are written by Steve Tucker; all music is composed by Trey Azagthoth, except where noted.