Bloody Kisses is the third studio album by the American band Type O Negative and the last recording with the band's original line-up, as the drummer, Sal Abruscato, left in late 1993. The album includes one of their best known songs, "Black No. 1", which earned the band a considerable cult following. The album further established recurring motifs of the band's music, such as including cover songs recorded in the gothic metal style, sample-heavy soundscapes in between songs, and lyrics replete with dry, satirical humour.
Bloody Kisses is notable for being the first album released on Roadrunner Records to achieve gold and platinum certification.
Considered a standout album in the gothic metal genre, Bloody Kisses is "saturated with complex patterns of sound" with content concerning sexual symbolism and humor.
Bloody Kisses has a cover version of Seals & Crofts' song "Summer Breeze". Originally, Type O Negative's version was going to be called "Summer Girl" with different lyrics, but made a normal cover after Seals & Crofts found the lyrics to "Summer Girl" distasteful. According to Decibel, Bloody Kisses "featured infectious doom-pop epics (“Black No. 1,” “Christian Woman”), sarcastic hardcore screeds (“Kill All the White People,” “We Hate Everyone”)" and "bizarre noise interludes (“Fay Wray Come Out and Play,” “Dark Side of the Womb,” “3.0.I.F”)". "Black No. 1" is "a sarcastic ode to goth girls (the title coming from a hair dye tone) based on a narcissistic ex-girlfriend of singer Peter Steele".
In 2005, Bloody Kisses was ranked number 365 in Rock Hard magazine's book of The 500 Greatest Rock & Metal Albums of All Time. Loudwire called Bloody Kisses their best album of 1993 in addition to ranking it #42 on its Top 90 Hard Rock and Heavy Metal Albums of the 90s. Rolling Stone placed Bloody Kisses at #53 on its Top 100 Greatest Heavy Metal Albums of All Time list, citing memorable songs such as "Christian Woman", "Bloody Kisses (A Death in the Family)", their cover version of "Summer Breeze", and "Black No. 1". The latter was cited by the author J.D. Considine as the band's signature song.
Recorded at Systems Two/Brooklyn, New York.
Additional recording at Sty In The Sky/Brooklyn, New York.
Paul Bento performs courtesy of Sound Views Records.
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