Def Leppard "Rocket (Single & Video)"

"Rocket" is a song recorded by English rock band Def Leppard in 1987 from the album Hysteria. It was the sixth (seventh in the US) and final single release, coming out in January 1989 and hitting the Top 15 in the US Billboard Hot 100 and UK Singles Chart.

The song features nods to other tracks on Hysteria. Producer Mutt Lange used backmasking effects to feature the line "We're fighting with the gods of war" (from "Gods of War") sung backward throughout the track, though this sample was omitted from the single version of the song. The words "Love" and "Bites" (from "Love Bites") are also used as a sonic effect midway throughout the song, in order to replicate the sounds of a rocket launch through musical samples.

In its single release, "Rocket" was heavily edited from its original length of 6:34 for radio airplay, but would omit many of the portions that greatly distinguished the track from the rest of the album. At some shows, the album version gets performed, while at others they play the edited version instead.

Guitar World magazine voted Rocket's guitar solo the 17th worst of all time in a countdown published in December 2004's issue. The magazine commented that "[Rocket has] a solo that any four year-old with a rack-mounted effects unit could play."

UK versions of the single release featured a cover of the Engelbert Humperdinck song "Release Me", credited to "Stumpus Maximus & The Good Ol' Boys", which was actually Malvin Mortimer, the band's future tour manager, backed up by the band members themselves. The song builds from an exaggerated pub-singer version of the opening verses, becoming more and more extreme as the song progresses. In the last verse, Stumpus' histrionics are interrupted by a brief belch, followed by a polite "'scuse me" before going back up to eleven.

Singer Joe Elliott came up with the idea of "Rocket" after he overheard a friend's cassette of "Burundi Black" by Burundi Steiphenson Black, which had previously had an influence on such UK bands as Adam and the Ants and Bow Wow Wow. Elliott then borrowed the tape to make a rhythm loop and overlaid guitar chords over it for a rough draft on the song. When he brought it to Lange and the band, they re-recorded and developed Elliott's idea in a higher key. The song was nearly developed as a near-instrumental with only a short chorus ("Rocket! Yeah"), but after the lyrics "Satellite of Love", which referenced the song of the same name by Lou Reed in 1972, were added to the chorus, the band expanded on the concept of the song and added musical influences of the 1960s and 1970s as lyrics for the verses, including the vocal melody to "I Feel Free" by Cream as part of the guitar solo.

During one break in the production of the song, the band were surprised to find that Lange had added the extended breakdown, complete with the vocal sampling, to the middle of the song. Lange also instructed the band to record monk-like chants, that were also similarly used by Adam and the Ants in their song "Dog Eat Dog", to emphasize a guitar solo during the breakdown. Although the drumbeat samples, played at the beginning of the extended and edited version after audio transcripts from the Apollo 11 Moon landing and again during the first half of each verse and the breakdown, are widely mis-attributed to be taken from the Royal Drummers of Burundi, they are actually a series of drum machines programmed by Lange and drummer Rick Allen to play slightly out-of-sync with one another to provide a tribal drum effect within the song.

The music video for this song was directed by Nigel Dick.

The video is the band's last with Steve Clark before his death in 1991. It was filmed in the same warehouse in the Netherlands used nearly two years earlier for the "Women" clip in 1987. The lyrics and video are centered around the 1970s with various newsreels including Richard Nixon's disgrace, Edward Heath's fall from power to Margaret Thatcher as leader of the Conservatives, the Apollo 13 crisis, and a variety of clips/newsreels of 70's music icons. Clips of the classic rock names from the lyrics are flashed during the video, along with footage of the various artists performing live or on BBC TV's Top of the Pops. The 1971 FA Cup Final, won by Arsenal, also features; particularly goal scorer, club legend and crowd favourite Charlie George.

For its lyrics, the names of classic rock artists, songs or albums are dropped as a tribute to the music of the band's youth.

• "Jack Flash" – The song "Jumpin' Jack Flash" by the Rolling Stones, 1968
• "Rocket Man" – The song of the same name by Elton John, 1972
• "Sgt. Pepper & the Band" – The album Sgt. Peppers Lonely Hearts Club Band by the Beatles, 1967
• "Ziggy" – The track/character of "Ziggy Stardust" from David Bowie's album The Rise and Fall of Ziggy Stardust, 1972
• "Bennie and the Jets" – The song of the same name by Elton John, 1973
• "Satellite of Love" – The song of the same name by Lou Reed, 1972
• "Laser Love" – The song of the same name by T.Rex, 1976
• "Jet Black" – A reference to the drummer "Jet Black" from the band The Stranglers
• "Johnny B." – A reference to the song "Johnny B. Goode" by Chuck Berry, 1958
• "Jean Genie" – The song of the same name by David Bowie, 1973
• "Killer Queen" – The song of the same name by Queen, 1974
• "Dizzy Lizzy" – A reference to the song "Dizzy Miss Lizzy", made famous by the Beatles, 1965 (also a nod to Thin Lizzy)
• "Major Tom" – A reference to the song "Space Oddity" by David Bowie, 1969

The song has been used as the musical accompaniment in advertisements for Sony high definition televisions with a number of different themes being used for the adverts. In addition the song has been heard at the beginning and end of advert breaks surrounding the coverage of Formula One events on ITV in the UK in 2008, since Sony assumed the role as the sports main sponsor on the channel. It replaced Iron Maiden's "Can I Play with Madness" after the first 4 rounds of the network's coverage.

It was used by professional wrestler Flyin' Brian Pillman as his theme music, when he came to NWA/WCW in 1989.