Cries from the Quiet World: Accept "Balls To The Wall"

domingo, 17 de septiembre de 2017

Accept "Balls To The Wall"

Balls to the Wall is the fifth album by German heavy metal band Accept. European label Lark Records released the album in December 1983, but its United States release was delayed until a month later in January 1984 as to not compete with the band's then-current album Restless and Wild, which had arrived in the US in early 1983. It is Accept's only record to attain Gold certification in the US. The album's title track became Accept's signature tune and remains a metal anthem and trademark in the genre.

Some of the album's success can no doubt be attributed to the publicity generated from the minor "gay metal" controversy that broke out upon its American release, due to the record's title and front cover being deemed by some as homoerotic, as well as the lyrics to "London Leatherboys" and "Love Child" appearing to concern homosexuals. Guitarist Wolf Hoffmann was dismissive of the controversy, saying years later that "You Americans are so uptight about this. In Europe it was never a big deal...we just wanted to be controversial and different and touch on these touchy subjects, because it gave us good press and it worked fabulously, you know". Drummer Stefan Kaufmann explained that many of the themes on the album were about oppressed minorities in general. "London Leatherboys" was really about bikers, for example: "They're normal people, they just look different and they behave different. But they're normal people, another minority. And 'Love Child' was about gays, true, but it's basically about people who are suppressed." Concerning the homosexuality issues themselves, Kauffmann said in an interview with French magazine Enfer (n°7, 1983):

"It's a phenomenon that should be taken into consideration. Because it exists on a wide scale and should be demystified. In fact, this is a phenomenon of society that needs to be taken as such. For a long time gay people have been considered as sick or insane. And yet, it's time to respect these people, open our minds which are often closed."

Hoffman's wife, lyricist Gaby Hauke also denied these controversies and accusations concerning the gay issue:

"Let me answer this and (the next) question in one, ok? I have been very rebellious and by no means I would have written anything 'normal'! Never! The sexual question about the context of certain lyrics are mind games and pure interpretation from outsiders. This is a band who has as individuals -so little to do with controversy and absolutely nothing in particular with anything but being VERY straight"

The front cover is strikingly similar to photographer Robert Mapplethorpe's work "Patrice, N.Y.C." from 1977, although Mapplethorpe isn't mentioned among the credits ("Cover idea: Deaffy with special thanks to A. Janowiak").

This album was the only Accept album which guitarist Herman Frank played on until 2010's Blood of the Nations (though he was given credit on 1982's Restless and Wild).

Professional wrestler Chris Jericho's band, Fozzy, did their own cover of the song "Balls to the Wall". The Swedish band Amon Amarth also covered the song as a bonus track for their 2011 album Surtur Rising.

There are two different remasters of this album. The first one is part of Sony's The Metal Masters Series while the second one is part of the BMG Remastered Edition. Both editions feature songs taken from the live EP Kaizoku-Ban.

The 2013 release from UK record label Hear No Evil Recordings contains the 1990 live album Staying a Life.

Track listings

All lyrics are written by Accept and Deaffy; all music is composed by Accept.

Side one