Upon Promeathean Shores (Unscriptured Waters) is an EP and the first studio release by the British symphonic black metal band Hecate Enthroned. It was released by Blackend Records on 7 July, 1995. This is essentially their An Ode for a Haunted Wood demo reworked and released as the first album under their record label.
Stylistically this found the band in a more "true" black metal sound, with squashed production, growled vocals, raging tempos, blast beats and symphonic arrangements. Accusations of the band being a "Cradle of Filth rip-off" began to manifest as the band's name got bigger.
The album was remastered and re-released in 1998 by Blackend with two bonus tracks and a different cover art.
A music video was made for the track "An Ode for a Haunted Wood".
A picture of the famous ruins of the Whitby Abbey was used as the cover.
Track listing
All lyrics are written by Jon Kennedy; all music is composed by Hecate Enthroned (Kennedy, Nigel, Marc, Mark Watson-Jones, Steve, Andy O'Hara – 1995).
- "Promeathea (Thy Darkest Mask of Surreality)" 2:15
- "The Crimson Thorns (My Immortal Dreams)" 4:26
- "A Graven Winter" 7:30
- "To Feed Upon Thy Dreams" 6:46
- "An Ode for a Haunted Wood" 7:13
- "Through Spellbinding Branches (Deepest Witchcraft)" (instrumental) 2:08
Time: 30:18
The EP is, essentially, a remastering of their "Ode for a Haunted Wood" demo. In the year between the demo's recording and the band's signing to Blackend, they changed their bassist, drummer and keyboardist, and new members Paul, Michael and Craig are erroneously referred to their at-the-time current roles in the album booklet with former members Mark, Steve and Andy getting just a mention.
The Death Records printing has a typo on the CD case spine: the title is misspelled as "Upon Prometheau Shores".
Recording information:
Recorded in summer 1995.
Remixed in winter 1995 at Academy Studios, Dewsbury, Yorkshire.
Co-produced and co-mixed by Hecate Enthroned.
Art direction by Hecate Enthroned and pod communication.
Robert "Mags" Magoolagan – production, mastering
Simon Marsden – cover art



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